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via Tadino 20
20124 Milan Italy
t. +39 02 87234577
f. +39 02 87234580
e. info@galleriazero.it
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Tuesday – Friday:
11 – 1.30pm | 2.30pm – 7.00pm
saturday 3pm – 7.00pm
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2010
installation view, "Fomuska", MUSEION, Bolzano
Krasnaja oktjabra
2009
xerox, ink and graphite on wall
diameter 200 cm
installation view, "Fomuska", Secession, Vienna
Fomuska
2009
aluminium, vaporizer, can, high voltage generator
250 x 720 x 200 cm
installation view, "Fomuska", Secession, Vienna
Krasnaja oktjabra
2009
xerox, ink and graphite on wall
diameter 400 cm
installation view, "Fomuska", Secession, Vienna
Senza titolo (porta)
2008
magnet, iron
242 x 91,8 cm
installation view "partoftheprocess3", ZERO..., Milano
Altrove / Elsewhere
2008
electrial equipment, pvc, copper pipes, water, ice, sparks, audio system
447 x 480 x 280 cm
installation view, Foksal Gallery Foundation, Warsaw
Senza titolo
2007
lighthouse, 2000 Watt intermittent light
154 x 180 x 185 cm
installation view, "Luce di pietra", Palazzo Farnese, Rome
Chizhevsky Lessons
2007
copper plates, steel wires, cascade generator, transformer, voltmeter
dimensions variable
installation view, "Chizhevsky Lessons", Kunsthalle Basel
Elektron
2007
magnets, iron
336 x 418 x 2,5 cm
installation view, "Chizhevsky Lessons", Kunsthalle Basel
Mindfall 2007
2007
cabin with misted up glasses, electrical engines, electrical wires, smoke, tables, chair
555 x 250 x 250 cm
installation view, Johann König gallery, Berlin
Free Fall in the Vortex of Time
2006
copper pedestal, book of drawings
120 x 40 x 40 cm
Eldfell
2006
copper
25 x 100 x 130 cm
Inner Disorder
1999/2001
vitrines, ink and graphite on paper
variable dimensions
installation view, "Fomuska", Kunsthalle Fridericianum, Kassel
Untitled
2003
air, iron , electric wires, glass, sparks
500 x 500 x 258 cm
installation view, "Sogni e Conflitti: La Dittatura dello Spettatore", 50th Venice Biennale
Vorkuta
2003
refrigerant cell (-35°C/-31°F), switchboard, sparks, chair with electrical resistance (36°C/96,8°F), thermostat
210 x 220 x 350 cm
installation view, "Cheasing Napoleon", Palais de Tokyo, Paris
Senza titolo
1999
graphite on book, ceramic pedestal
20 x 15 x 0,8 cm, 121 x 50 x 50 cm
installation view, "Fomuska", MUSEION, Bolzano
born in Rome in 1979
lives and works between Rome and Moscow
solo shows
2010
Fomuska, MUSEION, Bolzano
2009
Fomuska, Secession, Wien
Inner Disorder, ZERO…, Milano,
Inner Disorder, Johann König, Berlin
Fomuska, Kunsthalle Fridericianum, Kassel
Foksal Gallery Foundation, Warsaw
GAKONA, Palais de Tokyo, Paris
2008
GNAM, Roma (in collaboration with Mika Vainio)
Edicola Notte, Roma
2007
Johann König, Berlin (in collaboration with Mika Vainio)
Chizhevsky Lessons, Kunsthalle Basel
2005
Free Fall in the Vortex of Time, ZERO…, Milano
2004
D-segni, curated by Ilaria Bonacossa, Fondazione Sandretto Re Rebaudengo, Torino
Sleeplessness, Galleria Bonomo, Bari
2002
La Folie de la Villa Medicis, curated by Chiara Parisi, Villa Medici, Accademia di Francia, Roma
2001
Galleria Studio 34, Salerno
group shows
2011
Space Ship Earth, curated by Dobrila Denegri, CoCA - Centre of Contemporary Art Torun, Torun
2010
SI- Sindrome italiana, la jeune creation artistique italienne, Magasin - Centre National d'Art contemporain de Grenoble, Grenoble
Spazio. Dal Corpo alla Città., MAXXI, Roma
Mutiny Seemed a Probability / e-flux video rental, Fondazione Giuliani per l’Arte Contemporanea, Roma
21x21. 21 artisti per il 21° secolo, Fondazione San, dretto Re Rebaudengo, Torino
Star City, The Future Under Communism, Nottingham Contemporary, Nottingham
2009
Aspects of collecting, Essl Museum, wien
Barock - Arte. Scienza. Fede e Tecnologia nell'Età Contemporanea, MADRE, Napoli
ITALICS. ARTE ITALIANA FRA TRADIZIONE E RIVOLUZIONE 1968-2008, curated by Franceso Bonami, Museum of Contemporary Art, Chicago
Cheasing Napoleon, Palais de Tokyo, Paris
1989 – 2009. Overview, Celebration, Critique, Galleria Civica, Trento
MIRRORS, MARCO, Vigo, Spain
Life Forms, Bonniers Konsthall, Stockholm
Second Hand, Engholm Engelhorn Galerie, Wien
Short Circuits, Peter Blum, New York
2008
In living contact, 28a Bienal de São Paulo, curated by Ivo Mesquita, Bienal Pavilion, São Paulo
ITALICS. ARTE ITALIANA FRA TRADIZIONE E RIVOLUZIONE 1968-2008, curated by Franceso Bonami, Palazzo Grazzi, Venice
Partoftheprocess3, ZERO…, Milan
When a clock is seen from the side it no longer shows the time,Johann König, Berlin
After Nature, curated by Massimiliano Gioni, New Museum, New York
Revolution – forms that turn. 16th Biennale of Sydney, curated by Carolyn Christov-Bakargiev, Cockatoo Island, Sydney
... 5 minutes later, curated by Susanne Pfeffer, KW Institute for Contemporary Art, Berlin
2007
La parola nell'arte. Ricerche d'avanguardia nel '900. Dal Futurismo ad oggi attraverso le Collezioni del Mart, Mart, Rovereto
Schmerz,Hamburger Bahnohf, Berlin
Oú? Scenes du Sud: Espagne, Italie, Protugal, curated by Françoise Cohen, Carré d’Art Musée d’Art Contemporain de Nimes, Nimes
Silence. Listen to the Show, curated by Francesco Bonami, Fondazione Sandretto Re Rebaudengo, Torino
Luce di pietra, Palazzo Farnese, Roma
2006
My Private escaped from Italy, Centre International d’art et du paysage, l’île de Vassivière
Inaugural Exhibition, Johann König, Berlin
Of mice and men-4th Berlin Biennale, curated by Maurizio Cattelan, Massimiliano Gioni and Ali Subotnick, Former Jewish School for Girls, Berlin
2005
T-1 La sindrome di Pantagruel, curated byCarolyn Christoph-Bagargiev and Francesco Bonami, Torino
Sempre un po’ più lontano, curated by Rosa Martinez, Biennale di Venezia-51° Esposizione Internazionale di Venezia, Venezia
Bidibibobidiboo, curated byFrancesco Bonami, Fondazione Sandretto Re Rebaudengo, Turin
Work Time/Life Time/Material Time, curated byJessica Morgan, Reykjavik Art Festival, Vestmannaeyjar, Iceland
Radio Days, CTP of The Appel Foundation, Amsterdam
Non Toccare la Donna Bianca, curated byFrancesco Bonami, Castel dell’Ovo, Napoli
Dialectics of hope-1°, Moscow Biennale of Contemporary Art, curated byJoseph Backstein, Daniel Birnbaum, Nicolas Bourriaud, Iara Boubnova, Hans Ulrich Obrist and Rosa Martinez, Former Lenin Museum, Moscva
2004
Rendez-Vous, La Jeune Creation Contemporaine, curated byHauviette Bethemont, Isabelle Bortolotti, Yves Robert and Dirk Snauwaert, Museé d’art Contemporain, Lyon
Non Toccare la Donna Bianca, curated by Francesco Bonami, Fondazione Sandretto Re Rebaudengo. Torino
Whit all due Intent...Manifesta 5, curated byMassimiliano Gioni and Marta Kuzma, Donostia, San Sebastian
Great Expectations!, curated byCharlotte Laubard, Chiara Parisi, Alessandro Rabottini, Marcello Smarrelli, Fuori Uso, Pescara
Micol Assaël, Nico dockx, Rikrit Tiravanja, Museum in Progress,curated byChris Dercon and Hans Ulrich Obrist / San Giminiano (SI)
2003
Sogni e Conflitti: La Dittatura dello Spettatore,curated byFrancesco Bonami, Biennale di Venezia-50° Esposizione Internazionale d’Arte, Sezione: La Zona, curated byMassimiliano Gioni, Venezia
Sub-Real-Reality Survival Strategies, curated byBartolomeo Pietromarchi, Smart Project Space, Amsterdam
Fatamorgana,ZERO..., Piacenza
Exit, curated by Francesco Bonami, Fondazione Sandretto Re Rebaudengo, Torino
Fullcontact, curated by Sergio Risaliti, Salvatore Lacagnina and Caroline Corbetta, Galleria Civica di Arte Contemporanea, Siracusa
Prototipi 0.1, curated by Stefano Chiodi and Bartolomeo Pietromarchi, Fondazione A.Olivetti, Roma
2000
Affinites Electives 2, Galerie du Jour-Agnes B., Paris
Offered Spaces-Spazi Offerti, curated bySimonetta Lux e Chiara Parisi, San Casciano de Bagni (SI)
1999
Palazzo Rialto, Roma
Selected Bibliography
2010
Francesco Bonami, “21X21. 21 Artisti per il 21° secolo”, exh. cat., Fondazione Sandretto Re Rebaudengo, Torino.
Rein Wolf, Olesya Turkina, Massimiliano Gioni, “Fomuska”, exh. cat., Museion, Bolzano.
Adrienne Drake, Mutiny Seemed a Probability, Fondazione Giuliani per l’arte contemporanea, Roma.
2009
“Vitamin 3-D, New Perspectives in Sculpture and Installation”, Phaidon Press Limited
Anne Deleuze, “Gakona”, Art Monthly, May 1st.
Telearma Sortir “Une bonne décharge pu0blique”, C.L., Telearma Sortir, April 22nd/28th.
Julie Portier, “Expérience aux frontières du réel”, Le Journal Des Arts, April 3rd/16th.
Philippe Cornet, “Gakona”, Focus Vif, April 10th.
Sisi Yang, “[…]”, U life magazine, April.
“Exposition”, Beaux Arts Magazine, April.
Bénédicte Ramade, “Voyage à Gakona”, L’Oeil, April.
“Palais de Tokyo, Micol Assaël”, Art & You.fr, April.
Ornella Lamberti, “Gakona ou les particules impopulaires”, Planet Campus.com, April.
“Le visibile et l’invisible”, Mouvement, April/June.
Alexis Jakubowicz, “Qui connaît Gakona”, Liberation, March 31.
Claude Laurent, “Voir et ressentir les énergies”, La Libre Belgique, March 30th.
“L’exposition Gakona au Palais de Tokyo”, Paperblog.fr, March 17th.
Judicaël Lavrador “Gakona”, Les Inrockuptibles, March 10th/16th.
Charles Barachon, “Micol Assaël hérisse le poils”, Technikart, March.
Isabelle Soubagné, “Gakona”, Paris-Art.fr, March.
”, Rhama Khazam, “Gakona”Artforum.com, March.
“Ligne haute tension”, Buy Buy.com, March.
Laurent Wolf, “De l’électricité dans l’air au Palais de Tokyo”, Le Temps, February 20th.
Michel Verlinden, “High voltage”, Focus Vif, February 20th.
Sophie Rosemont “Hautes fréquences au Palais de Tokyo”, Artnet, February 18th
Anaël Pigeat, “Un villane d’Alaska au Palais de Tokyo”, Femmes.com, February 18th,
Sophie Bain, “Bienvenue à gakona” Le Most.fr, February 16th.
Géraldine Dormoy, “Bienvenue à gakona”, Cafe Mode, February 13th.
Karine Porret, “Les mistères de Gakona”, Stiletto.fr, February 5th.
“Weird science”, Wonderland, February 1st.
“A la base de la création”, Le Parisien(Supplément), February.
Daniele Perra, “Ad alta tensione”, Kult, February.
Simon Castets, “Gakona”, February.
Cloe Piccoli “Tre ingegneri creativi”, D La Repubblica delle donne, April 30th.
Regine, “GAKONA at the Palais de Tokyo in Paris”, www.we-make-money-not-art.com, April 27th.
“ART-Gakona, The Parisian, april 27th.
“Pawel Althamer and children from Kassel FRÜHLING - Micol Assaël FOMUŠKA”, E-Flux, April 15th.
“Pawel Althamer e Micol Assaël a Kassel”, Il segno, April.
Tracy Frost, “Micol Assaël at Kunsthalle Fridericianum, Kassel, Germany, until 21 June”, Art2bank, April
Massimiliano Gioni, “Arte: L'immaginario elettrico di Micol”, Wired, April.
“Le artiste di Italics: un percorso nella creatività femminile. Palazzo Grassi per la Festa della donna”, VDV Mobile Blog, March 8th.
2008
Massimiliano Gioni, “After Nature”, exh. cat., New Museum.
“2008 Biennale of Sidney Catalogue: Revolutions – Forms That Turn”, Biennale of Sydney in association with Thames & Hudson.
“... 5 minutes later exh. cat., KW Institute for Contemporary Art, Berlin.
Lilly Wei, “After Nature”, Art News, October.
Federica Bueti, “Micol Assaël. Edicola Notte, Roma”, Flash Art, August-September.
Ken Johnson, “Sometimes the Darkest Visions Boast the Blackest Humor”, The New York Times, July 19th.
Francesco Stocchi, “Clean Distortions”, Spike, n. 15.
Massimiliano Gioni, “Micol Assaël”, Art Review, March.
Susanna Legrenzi, “Ci vediamo nel 2038”, IO Donna, January 19th.
2007
Melania Cazzotti, Julia Trolp Mart, “La parola nell’arte”, Rovereto.
“Luce di pietra”, Palazzo Farnese, Rome.
“Silenzio. Una mostra da ascoltare”, curated by F. Bonami, Fondazione Sandretto Re Rebaudengo, Turin.
Ester Coen and Adam Szymczyk “Micol Assaël”, exh. cat., Chizhevsky Lessons, Basel Kunsthalle, Electa, Milan, 2007.
“Schmerz”, exh. cat., Nationalgalerie im Hamburger Bahnhof-Museum für Gegenwart, Berlin, DuMont Literatur und Kunst Verlag GmbH & Co. KG, Köln.
Barbara Buchmaier, “Micol Assaël”, Artforum, november 13th.
Adam Szymczyk, “Micol Assaël. Aspettando l’ignoto”, Flash Art, October-November.
Polly Staple “Risk Assessment”, Frieze, October.
“The Wrong Times”, interview.
Massimiliano Gioni, “Micol Assaël”, Flash Art, August-September.
“Scosse elettriche a Basilea”, Flash Art, June-July.
Etienne Bernard “Invité mystère sur l’ile de Vassivière”, Beauxarts, January.
Paola Manfrin, “Micol Assaël at Kunsthalle Basel”, L’uomo Vogue, May-June.
Cloe Piccoli, “Tre ingegneri creativi”, D La Repubblica delle donne, April 7th.
Lauretta Colonnelli, “Giochi di luce sulle pietre antiche”, Corriere della sera, march 28th.
Paolo Vagheggi, “Capolavori Europei per i trattati di Roma”, La Repubblica, March 23th.
Rossella Sleiter, “Il giovin signore dell’arte dà speranza all’arte giovane”, Il venerdì- La Repubblica, March 16th.
Adriana Polveroni, “Identità in movimento”, D La Repubblica delle donne, March 10th.
Chris Sharp, “My Private Escaped”, Flash Art, February-March.
Roberta Tentoni, “Introducing Micol Assaël”, Mousse Magazine, January.
Mariuccia Casadio, “Digital New year”, Vogue Italia, January.
2006
“Of mice and men-4th Berlin Biennale”, exh. cat., Berlin.
Massimiliano Gioni, “Milan”, Artforum, December.
Elisa Del Prete, “My Private escaped from Italy”, Arte e critica,December 2006-February 2007
“Micol Assaël & Thomas Bayrle: Machines”, The Wrong Times, October.
“Wolganmisool”, n. 257, June.
“Uomini e topi a Berlino”, Exibart,onpaper, May-June.
“Von Menschen und Mausen”, Kunstforum, May-June.
Carla Bianpoen , “The Berlin Biennale, an antidote to the usual”, The Jakarta Post, May.
“Von Mausen und Menschen”, Kunst21, May.
Pietro Marino, “Biennale Contemporanea”, La gazzetta del Mezzogiorno, April.
Cesare Cunaccia, “Berlino, per gli italiani un tifo da stadio”, Libero, April.
Arianna Di Genova, “Vietato non esserci!”, Marie Claire (Italy), April.
Nicole Büsing, Heiko Klaas, “Stimmungsgeladene Inszenierungen”, Bremer, March.
Claudia, Wahjudi, “Eine irgendwie sehr gefuhlte schau”, Zitty, March.
Ursula Badrutt Schoch, “Raum fur Unbehagen”, Der Bund, March.
Ursula Badrutt Schoch , “Raum fur Unbehagen”, ST. Galler Tagblatt, March.
Nicole Büsing and Heiko Klaas , “Von Mausen, Menschen un bosen Machten”, Nurnberger Nachrichten, March.
Valentina Agostinis, “Biennale di Berlino-dov’è lo scandalo?”, Anna, March.
Paolo Vagheggi, “Tre moschettieri per Berlino”, La Repubblica, March.
Elena Basteri, “L’estro di Cattelan alla Biennale di Berlino”, Liberazione, March.
Paolo Vagheggi, “Maurizio Cattelan:’così scandalizzerò Berlino”, La Repubblica.
Caroline Corbetta, “Of Mice and Men”, Uomo Vogue, March.
“Quarta Berlin Biennale. Cattelan-Subotnick-Gioni portano l’arte in chiesa a scuola e al cimitero”, Exibart.OnPaper, March.
“Berlino-Uomini e topi”, Flash Art Italia, February-March.
2005
”Waiting for the Unknown”, “Fryttir”, Vestmannaeyjar – Iceland, 12 pages
Francesco Bonam, Cesare Cunaccia, Ilaria Bonacossa, “Bidibidobidiboo, Works from Collezione Sandretto Re Rebaudengo”, Skira, Milano.
Jessica Morgan, Björn Roth, “Material Time/Work Time/Life Time”, Jens Hoffmann. Revolver, Frankfurt am Main
Jessica Morgan, “Sempre un pò più lontano”, 51esima Esposizione internazionale d'arte Biennale di Venzia, cat. curated by Maria de Corral e Rosa Martinez, Marsilio ed., Venezia.
ARTCHRONIKA, “Dialectics of hope – 1 st Moscow Biennale of Contemporary Art 2005”, Moscow.
“Europe as a Cultural Project”, European Cultural Foundation, Amsterdam
Daniela Cascella, “Scultori di suono”, Tuttle Edizioni, April.
Daniela Cascella, “Blind Sound”, Sound Art/Resonance Supplement, June.
Paolo Vagheggi,“Biennale di Venezia - Le donne e l' amore del nuovo millennio”, Repubblica, june 2005
Ilaria Bombelli, “Micol Assaël-Alta tensione”, Flash Art Italia, October-November.
“Future greats”, Art Review, December.
Claire Bishop, “Fairer Fare”, Artforum, June 15th.
Natalia Aspesi, “Biennale, sceglietevi la musica per il vostro funerale”, La Repubblica, June 9th
Anna Detheridge, “Pappagalli in Biennale”, Il Sole 24 Ore, June 5th.
“Arsenale di star / attenti a questi cinque”, Gulliver, June.
Nicola Davide Angerame, “La Biennale Gemellare”, Exibartonpaper, June
“Bidibidobidiboo, 200 opere della collezione Sandretto Re Rebaudengo”, supplement of Arte, June.
Maurizio Sciaccaluga, “Biennale di Venezia – Italiani, chi sale e chi scende”, Arte, June
Edward Weinman, “Feast for the Senses”, Atlantica, May/June
Mark Sladen, “Iceland Hopping”, Artforum, May 19th.
Cloe Piccoli, “Biennale 51 – Come in un vulcano”, La Repubblica delle donne, May 21th.
Ekaterina Degot, “City report: Moscow" , Dan Fox and Jennifer Higgie, Frieze, issue 90, April
“Russian Front: The Moscow Biennale”, by John Kelsey, Artforum, April.
“Così le artiste infrangono le regole”, by Valentina Bruschi, Il messaggero, March 21th.
“Una Biennale quasi senza italiani”, by Paolo Vagheggi, La Repubblica, March 8th.
2004
“Files”, MUSAC. Museo de arte contemporáneo de Castilla y León. pag.12.
Francesco Bonami, “non toccare la donna bianca/don’t touch the wite woman”, exh. cat., Hopefulmonster editore, Torino.
Massimiliano Gioni, “this wild darkness”, WITH ALL DUE INTENT – MANIFESTA 5, exh. cat., Actar, Barcellona.
Francesco Bonami, “Nella vigna del disegno + interview with Ilaria Bonacossa”, D-segni, exh. cat., Fondazione Sandretto Re Rebaudengo, Torino.
Filippo Romeo, “Non Toccare La Donna Bianca”, ArtforumNovember 11th.
Gabi Scardi, “Infrazioni al femminile dell’ordine prestabilito”, jun0, October 17th.
Ludovico Pratesi, “Tremate, tremate, le artiste son tornate”, Il venerdì di Repubblica, September
Anne Colin, “Manifesta 5”, Artpressn.304 September.
Flavia Matitti, “E io ricomincio da me”, L’unità, August 28th.
Tim Sommer, “BALKAN AM ATLANTIK”, Art-Das Kunstmagazine, August 8th
Studio-Israeli art magazine, july-august.
Thomas Wullfen, “Manifesta 5”, Kunstforum International, July-August
Ursula Badrutt Schoch, “Manifesta 5 Unmögliche wahrheit”, Der Bund, July 30th.
Ismael Manterola Ispizua, “Pasaia versus Donostia”, Berria, July 13th.
Laura Revuelta, “Manifesta 5, la Biennale Europea approda in Spagna”, Mood, June 24th.
“El manifesto de la Manifesta 5”, Blanco y negro cultural, June 19th.
Angela Molina, “Manifesta 5: una bienal sin ADN”, Babelia El Pais, June 19th.
Gregor Jansen, “Architectur der Grenze”, Die Tage, July 14th.
Jelka Sutej Adamič, “San Sebastian – Manifesta 5”, Nič več radikalnosti Delo, June 14th.
“Biennale nomade d’Europa”, D-REPUBBLICA, June 12th.
Teresa Flano, “San Sebastian se empapa de arte”, Cultura & Ocio, June 11th..
“Arte garaikidearen unibertso zabalean murgiltzeko deia”, by Juan Luis Zabala, Harian, June 11th
M. Marin, “Comienza en San Sebastian Manifesta 5, una radiografia de la vanguardia artistica”, EL PAIS, June 11th.
Dani Blanco, “Donostia eta Pasaia arteak inbadituta”, Argia, June.
“Micol Assael – Bonomo”, by Antonella Marino, Flash Art Italia, n° 245 April-May.
Andrea Villani, “Micol Assaël”, Boiler #4, March.
Maria Rosa Sossai, “Great Expectations”, Flash Art Italia, February-March.
“Gli “interventi” di Micol”, by L.P., La Stampa, February 13th.
Pietro Marino, “Micol, la piccola macchinista dell’arte”, La gazzetta del mezzogiorno, February 12.
Marilena Di Tursi, “Se l’opera d’arte è una cella frigorifera”, Corriere del mezzogiorno, February 12.
Antonella Marino, “Fumo e ghiaccio, l’arte estrema di Assaël”, La Repubblica, February 8th.
“Carolyn Christov-Bakargiev on Micol Assaël”, First Take, Artforum, January Issue.
2003
”Je veux”, Onestar Press 2003, pag.179. Paris, January.
C. Laubard, C. Parisi, A. Rabottini, M. Smarrelli, “Great Expetations!”, Fuoriuso 2003, XIV .edizione. Pescara Ferrotel, Italy.
Massimiliano Gioni, La Zona, in: “SOGNI E CONFLITTI – LA DITTATURA DELLO SPETTATORE” Francesco Bonami and Maria Luisa
Frisa, 50esima. ESPOSIZIONE INTERNAZIONALE D’ARTE LA BIENNALE DI VENEZIA, Marsilio ed. Venezia
G.K. Batchelor, The Theory of Homogeneous Turbulence, indicated by Lukas Liechtenstein, in: La Folie de la Villa Médicis, cat. curated by
Chiara Parisi, Silvana Editoriale, Milano.
Chiara Bertola, “Fame”, Premio Querini Stampalia FURLA per l’arte, exh. cat., Postmedia Books, Milano, AprilFrancesco Bonami, “Occhio alla Biennale. Una scultura fatta di angoscia”, La Stampa, August 20th.
AA.VV., L’arte è il nervo scoperto della società? Conversazioni dalla biennale”, Perché/?, # 4.
Bartolomeo Pietromarchi, “L’Urgenza dello spazio. Sopravvivenza, immaginazione, disorientamento”, Flash Art, June/July
Gabi Scardi, “I giovanissimi sono più urbani”, Il Sole 24ore, June 15th.
Ester Coen, “Gli ultimi frammenti di una civiltà, quel che vedrebbe un extraterrestre”, La Repubblica, June 13th.
Larissa Harris, “Venice Biennale 2003, a marathon vernissage in venice”, Art Forum Diary, June 12th.
Bartolomeo Cosulich, “Biennale 2003 made in italy”, Gulliver, June.
Jennifer Allen, “Bonami on the Biennale, Artists in Uniform, and More Bonami expands on Biennale”, Artforum, March 31th.
Paolo Vagheggi, “Biennale di Venezia ai tempi di guerra”, La Repubblica, March 24th.
”Mental Location, SUB REAL- Reality Survival Strategies”, Smart, April 5 - May 11th.
Daniela Bigi, “Assael, Caretto, Courbot, Davila. Zero, Piacenza”, Arte Critica, January/March.
2002
Francesco Bonami, “EXIT Nuove geografie della creatività italiana”, exh. cat., Piccola biblioteca Oscar Mondadori, Milano.
Stefano Chiodi e Bartolomeo Pietromarchi, Prototipi. Laboratorio di cultura artistica contemporanea, Luca Sossella Editore.
Angela Vettese , “Italian Caravanserraglio”, Il Sole 24ore, September 22th.
Elisa Fulco, “SiracusaFullContact”, Flash Art Italian° 235.
Paola Nicita, “FullContact, Siracusa”, Galleria Civica Montevergini, Exibart, July 11th.
Marcello Smarrelli, “FullContact”, Tema Celeste, May/June.
Marcello Smarrelli, “Prototipi.01”, Tema Celeste, March/April.
Ludovico Pratesi, “Niente tele e pennelli ecco le opere 'prototipi’”, La Repubblica, February.
Ludovico Pratesi, “Arte & Tecnologia”, La Repubblica, February 3th.
Paola Magni, “In vetrina i "prototipi" delle nuove generazioni”, Il giornale, January 24th.
Edoardo Sassi, “Sconfinamenti d'arte”, Il corriere della sera, January 24th.