Born in Rome 1979,

lives and works in Greece and Italy

Education

Philosophy, Università La Sapienza, Rome

solo shows

2018
On Zone, Zoo Zone Art Forum, Rome, Italy

2017

Lettura di un’onda, curated by Bruno Corà e Valentino Catricalà, Museo Riso, Palermo, Italy

2016

Stone Broken Circuit, König Galerie, Berlin, Germany

The Picture Club, curated by Ilaria Gianni, American Academy, Rome, Italy

2015

Eddy Current, ZERO... , Milan 

2014

Asymmetry of Probability, Andrew Kreps Gallery, New York City, NY
ILIOKATAKINIOMUMASTILOPSARODIMAKOPIOTITA, curated by Andrea Lissoni, HangarBicocca, Milan, Italy *

2013
Fall 2013 International Artists-in Residence Program, Artpace, San Antonio, USA
Maybe Tomorrow, Artpace, San Antonio, USA

2010

Фомушка (Fomuška), curated by Letizia Ragaglia, MUSEION, Bozen, Italy *

2009

Фомушка (Fomuška), curated by Annette Sudbeck, Secession, Wien, Austria *

Inner Disorder, ZERO…, Milan, Italy 

Inner Disorder, Johann König, Berlin, Germany

Фомушка (Fomuška), curated by Rein Wolfs, Kunsthalle Fridericianum, Kassel, Germany *

Gdzie indzej, Foksal Gallery Foundation, Warsaw, Poland

GAKONA, curated by Marc Olivier Wahler, Palais de Tokyo, Paris, France *

2008 

Inaudito, curated by Daniela Cascella, GNAM, Galleria Nazionale d’Arte Moderna, Rome, Italy

Edicola Notte, Rome, Italy

2007

Galerie Johann König, Berlin, Germany (in collaboration with Mika Vainio)

Chizhevsky Lessons, curated by Adam Szymczyk, Kunsthalle Basel, Basel, Switzerland *

2005 

Free Fall in the Vortex of Time, ZERO…, Milan, Italy

2004

D-segni, curated by Ilaria Bonacossa, Fondazione Sandretto Re Rebaudengo, Turin, Italy *

Sleeplessness, Galleria Bonomo, Bari, Italy

2002

La Folie de la Villa Médicis, curated by Chiara Parisi, Villa Medici, Accademia di Francia, Rome, Italy *

2001

Galleria Studio 34, Salerno, Italy

group shows

2018

Take Me (I'm Yours), Villa Medici, Accademia di Francia, Rome, Italy

2017

The place to be, curated by Bartolomeo Pietromarchi, MAXXI, Rome, Italy

Take me (I’m yours), curated by Hans Ulrich Obrist, Chiara Parisi and Roberta Tenconi, Pirelli Hangar Bicocca, Milan, Italy
Le Paradoxe de l’Iceberg, curated by Keren Detton, Frac Grand Large, Hauts-de-France, Paris, France

Trigon, curated by Jürgen Dehm, Grasz Kunstlerhaus, Grasz, Austria
The act of drinking a Coke by yourself is the lowest form of art, Fonderia Artistica Battaglia, Milan, Italy

Good Boy - Bad Boy, curated by Keren Detton, Kunstencentrum Ten Bogaerde, Koksijde, Belgium

2016

Partoftheprocess7 (Imitatio Christe’s II), FuturDome, Milan, Italy

The Milky Way, Fondazione Marconi, Milan, Italy

Scarecrows, Sigalas Vineyard, Santorini, Greece

The Picture Club, curated by Ilaria Gianni, American Academy in Rome, Italy

2015 

We Fragment, Collect and Narrate, Leopold Hoesch Museum, Düren, Germany
519+40, curated by Marcello Smarrelli, Fondazione Pastificio Cerere, Rome, Italy
Andy Warhol sul comò, Museo d’Arte Contemporanea di Villa Croce, Genoa, Italy
Collecting for Tomorrow: New Works at Museion, MUSEION, Bozen, Italy

2014

The Yellow side of sociality, curated by Nicola Setari, Bozar, Brussels, Belgium

Intenzione Manifesta. Il disegno in tutte le sue forme, curated by Beatrice Merz, Castello di Rivoli, Turin, Italy *

Premio Italia Arte Contemporanea, curated by Giulia Ferracci, MAXXI, Rome
Sculpture Unchaperoned - contemporary international positions selected by artist Michael Kienzer, Galerie Elisabeth & Klaus Thoman, Vienna, Austria

Imitatio Christie´s - (partoftheprocess6), ZERO…, Milan, Italy

Video screening 25, ZERO…, Milan, Italy
We Fragment, Collect and Narrate, Leopold Hoesch Museum, Düren, Germany

2013
Des Mondes Possibles, Frac Franche-Comté, Besançon, France

New Works: 13.3, international artist-in-residence, Artpace, San Antonio, Texas, USA

New works #1, curated by Lorenzo Benedetti, SPROVIERI, London, UK
Have you seen me before? Whitechapel Gallery, London, UK

Dread - Feat in the age of Technological Acceleration, De Hallen Haarlem, Netherlands

Future Generation Art Prize 2013, curated by Bjorn Geldhof, Palazzo Contarini Polignac, Venice, Italy

Of Love, Pain, and Passioned Revolt (Then Farewell, My Beloved, ‘til It’s Freedom Day), Invited by Alice Conconi and Antonio Scoccimarro, ZERO…, Milan, Italy
Extra Large, MACRO, Testaccio, Rome, Italy
Jorge Peris, Micol Assaël, Nunzio, Galleria Bonomo, Bari, Italy

2012

Future Generation Art Prize 2012, Pinchuk Art Centre, Kiev, Ukraine
Arrivi e Partenze Europa, Fondo Mole Vanvitelliana, Ancona, Italy

2011

Space Ship Earth, curated by Dobrila Denegri, Centre of Contemporary Art Torun, Torun, Poland
When in Rome Thirty works of art between now and then, Italian Cultural Institute Los Angeles, CA, USA
Out of Storage, Maastricht, NL

2010
Spazio, curated by Bartolomeo Pietromarchi, MAXXI Museo Nazionale delle Arti del XXI secolo, Rome, Italy

Press Art - Sammlung Annette und Peter Nobel, Museum der Moderne - MdM Rupertinum, Salzburg, Austria

Director’s Choice, Arken Museum for Moderne Kunst, Ishøj, Denmark

Mutinity seemed a probability, curated by Adrienne Drake, Fondazione Giuliani, Rome, Italy *

21x21, curated by Francesco Bonami, Fondazione Sandretto Re Rebaudengo, Turin, Italy *

Star City, The Future Under Communism, curated by Alex Farquharson, Nottingham Contemporary, Nottingham, UK

2009

Aspects of collecting, Essl Museum, Vienna, Austria

Barock - Arte. Scienza. Fede e Tecnologia nell'Età Contemporanea, curated by Mario Codognato, MADRE, Museo d’Arte Contemporanea Donna Regina, Naples, Italy

Italics. Arte italiana fra tradizione e rivoluzione, 1968-2008, curated by Franceso Bonami, Museum of Contemporary Art, Chicago, USA

Chasing Napoleon, curated by Marc Olivier Wahler, Palais de Tokyo, Paris, France *
Gakona, Palais de Tokyo, Paris, France

1989 – 2009. Overview, Celebration, Critique, Galleria Civica, Trento, Italy

Espellos = Espejos = Mirrors, curated by Gyonata Bonvicini, MARCO, Vigo, Spain *

Life Forms, curated by Sara Arrhenius, Bonniers Konsthall, Stockholm, Sweden *

Second Hand, Engholm Engelhorn Galerie, Vienna, Austria

Short Circuits, Peter Blum, New York, USA
Italian Open, Annette Gelink Gallery, Amsterdam

2008

In living contact, 28a Bienal de São Paulo, curated by Ivo Mesquita, Bienal Pavilion, São Paulo, Brazil

Italics. Arte italiana fra tradizione e rivoluzione, 1968-2008, curated by Franceso Bonami, Palazzo Grassi, Venice, Italy *

Partoftheprocess3, ZERO…, Milan, Italy

When a clock is seen from the side it no longer shows the time, Johann König, Berlin, Germany

After Nature, curated by Massimiliano Gioni, New Museum, New York, USA *

Revolution – forms that turn. 16th Biennale of Sydney, curated by Carolyn Christov-Bakargiev, Power House - Cockatoo Island, Sydney, Australia *

... 5 minutes later, curated by Susanne Pfeffer, KW Institute for Contemporary Art, Berlin, Germany*
Ad Absurdum – Zeitgemäße Aperate, Städtische Galerie Nordhorn, Nordhorn, Germany
Impronta globale, Ex Magazzini Generali, ISA Istituto Superiore Antincendi, Rome, Italy

2007
Marta Schweight. Garde le silence, le silence te gardera, curated by Jan Hoet, Marta Herford, Herford, Germany *

La parola nell'arte. Ricerche d'avanguardia nel '900. Dal Futurismo ad oggi attraverso le Collezioni del Mart, Mart, Rovereto, Italy *

Schmerz, curated by Eugen Blume, Hamburger Bahnohf, Berlin, Germany *

Oú? Scenes du Sud: Espagne, Italie, Protugal, curated by Françoise Cohen, Carré d’Art Musée d’Art Contemporain de Nimes, Nimes, France *

Silence. Listen to the Show, curated by Francesco Bonami, Fondazione Sandretto Re Rebaudengo, Turin, Italy *

Luce di pietra, curated by Henry-Claude Cousseau e Marcello Smarrelli, Palazzo Farnese, Rome, Italy *

2006 

My Private escaped from Italy, curated by Barbara Casavecchia and Anna Daneri, Centre International d’art et du paysage, l’île de Vassivière, Vassivière, France *

Inaugural Exhibition, Johann König, Berlin, Germany

Of mice and men-4th Berlin Biennale, curated by Maurizio Cattelan, Massimiliano Gioni and Ali

Subotnick, Former Jewish School for Girls, Berlin, Germany *

2005

T-1 La sindrome di Pantagruel, curated by Carolyn Christoph-Bagargiev and Francesco Bonami, Turin, Italy 

Sempre un po’ più lontano, curated by Rosa Martinez, Biennale di Venezia-51° Esposizione Internazionale di Venezia, Arsenale, Venice, Italy *

Bidibibobidiboo, curated by Francesco Bonami, Fondazione Sandretto Re Rebaudengo, Turin, Italy*

Work Time/Life Time/Material Time, curated by Jessica Morgan, Reykjavik Art Festival, Vestmannaeyjar, Iceland *

Radio Days, curated by Claire Staebler, CTP of The Appel Foundation, Amsterdam, Netherlands

Non Toccare la Donna Bianca, curated by Francesco Bonami, Castel dell’Ovo, Naples, Italy *

Dialectics of hope-1°, Moscow Biennale of Contemporary Art, curated by Joseph Backstein, Birnbaum, Nicolas Bourriaud, Iara Boubnova, Hans Ulrich Obrist and Rosa Martinez, Former Lenin

Museum, Moscow, Russia *

2004

Rendez-Vous, La Jeune Creation Contemporaine, curated by Hauviette Bethemont, Isabelle Bortolotti, Yves Robert and Dirk Snauwaert, Museé d’art Contemporain, Lyon, France

Non Toccare la Donna Bianca, curated by Francesco Bonami, Fondazione Sandretto Re Rebaudengo, Turin, Italy *

With all due Intent...Manifesta 5, curated by Massimiliano Gioni and Marta Kuzma, Donostia, San Sebastián, Spain *

Great Expectations!, curated by Charlotte Laubard, Chiara Parisi, Alessandro Rabottini, Marcello

Smarrelli, Fuori Uso, Pescara, Italy *

Micol Assaël, Nico Dockx, Rikrit Tiravanja, Museum in Progress, curated by Chris Dercon and Hans Ulrich Obrist, San Gimignano, Siena, Italy

2003

Sogni e Conflitti: La Dittatura dello Spettatore, curated by Francesco Bonami, Biennale di Venezia-50° Esposizione Internazionale d’Arte, Sezione: La Zona, curated by Massimiliano Gioni, Venice Giardini, Venice, Italy *

Sub-Real-Reality Survival Strategies, curated by Bartolomeo Pietromarchi, Smart Project Space, Amsterdam, Netherlands

Fatamorgana, ZERO..., Piacenza, Italy

2002

Exit, curated by Francesco Bonami, Fondazione Sandretto Re Rebaudengo, Turin, Italy *

Fullcontact, curated by Sergio Risaliti, Salvatore Lacagnina and Caroline Corbetta, Galleria Civica di Arte Contemporanea, Siracusa, Italy

2001

Prototipi 0.1, curated by Stefano Chiodi and Bartolomeo Pietromarchi, Fondazione A.Olivetti, Rome, Italy *

Galleria Civica di Arte Contemporanea, Siracusa, Italy 

2000

Affinites Electives 2, Galerie du Jour-Agnes B., Paris, France

Offered Spaces-Spazi Offerti, curated by Simonetta Lux e Chiara Parisi, San Casciano Dei Bagni, Siena, Italy

1999

Young International Artists, Palazzo Rialto, Rome, Italy

Awards

Future Generation Art Prize, Pinchuk Art Center, Kiev 2012.

Lectures

Liceo Virgilio, Roma 2007

Fachhöchschule Nordwestschweiz, Basel 2013

Castello di Rivoli, Rivoli (TO) 2016

De Ateliers, Amsterdam 2016

Public Collections

Fondazione Giuliani, Rome

MAXXI, Rome

Museion, Bozen

Nomas Foundation, Rome

Fondazione Sandretto Re Rebaudengo, Turin

Frac Franche-Comté, Besançon

La Gaia, Turin

Colección Inelcom, Madrid

Monographies

Micol Assaël, edited by Ester Coen, Electa 2007

Фомушка (Fomuška), edited by Kunsthalle Fridericianum, Kassel, Secession, Wien,

Museion, Bozen, Verlag der Buchhandlung Walther König, 2010

ILIOKATAKINIOMUMASTILOPSARODIMAKOPIOTITA, edited by Andrea Lissoni, Mousse

Publishing 2016

Selected Bibliography

2011

“Defining Contemporary Art – 25 years in 200 pivotal artworks”, texts by Daniel Birnbaum, Connie Butler, Suzanne Cotter, Bice Curiger, Okwui Enwezor, Massimiliano Gioni, Bob Nickas, Han Ulrich Obrist. Phaidon, London. 398-399.

2010

Francesco Bonami, “21X21. 21 Artisti per il 21° secolo”, exh. cat., Fondazione Sandretto Re Rebaudengo, Torino.

Rein Wolf, Olesya Turkina, Massimiliano Gioni, “Fomuska”, exh. cat., Museion, Bolzano.

Adrienne Drake, Mutiny Seemed a Probability, Fondazione Giuliani per l’arte contemporanea, Roma.

2009

“Vitamin 3-D, New Perspectives in Sculpture and Installation”, Phaidon Press Limited

Anne Deleuze, “Gakona”, Art Monthly, May 1st.

Telearma Sortir “Une bonne décharge pu0blique”, C.L., Telearma Sortir, April 22nd/28th.

Julie Portier, “Expérience aux frontières du réel”, Le Journal Des Arts, April 3rd/16th.

Philippe Cornet, “Gakona”, Focus Vif, April 10th.

Sisi Yang, “[…]”, U life magazine, April.

“Exposition”, Beaux Arts Magazine, April.

Bénédicte Ramade, “Voyage à Gakona”, L’Oeil, April.

“Palais de Tokyo, Micol Assaël”, Art & You.fr, April.

Ornella Lamberti, “Gakona ou les particules impopulaires”, Planet Campus.com, April.

“Le visibile et l’invisible”, Mouvement, April/June.

Alexis Jakubowicz, “Qui connaît Gakona”, Liberation, March 31.

Claude Laurent, “Voir et ressentir les énergies”, La Libre Belgique, March 30th.

“L’exposition Gakona au Palais de Tokyo”, Paperblog.fr, March 17th.

Judicaël Lavrador “Gakona”, Les Inrockuptibles, March 10th/16th.

Charles Barachon, “Micol Assaël hérisse le poils”, Technikart, March.

Isabelle Soubagné, “Gakona”, Paris-Art.fr, March.

”, Rhama Khazam, “Gakona”Artforum.com, March.

“Ligne haute tension”, Buy Buy.com, March.

Laurent Wolf, “De l’électricité dans l’air au Palais de Tokyo”, Le Temps, February 20th.

Michel Verlinden, “High voltage”, Focus Vif, February 20th.

Sophie Rosemont “Hautes fréquences au Palais de Tokyo”, Artnet, February 18th

Anaël Pigeat, “Un villane d’Alaska au Palais de Tokyo”, Femmes.com, February 18th,

Sophie Bain, “Bienvenue à gakona” Le Most.fr, February 16th.

Géraldine Dormoy, “Bienvenue à gakona”, Cafe Mode, February 13th.

Karine Porret, “Les mistères de Gakona”, Stiletto.fr, February 5th.

“Weird science”, Wonderland, February 1st.

“A la base de la création”, Le Parisien(Supplément), February.

Daniele Perra, “Ad alta tensione”, Kult, February.

Simon Castets, “Gakona”, February.

Cloe Piccoli “Tre ingegneri creativi”, D La Repubblica delle donne, April 30th.

Regine, “GAKONA at the Palais de Tokyo in Paris”, www.we-make-money-not-art.com, April 27th.

“ART-Gakona, The Parisian, april 27th.

“Pawel Althamer and children from Kassel FRÜHLING - Micol Assaël FOMUŠKA”, E-Flux, April 15th.

“Pawel Althamer e Micol Assaël a Kassel”, Il segno, April.

Tracy Frost, “Micol Assaël at Kunsthalle Fridericianum, Kassel, Germany, until 21 June”, Art2bank, April

Massimiliano Gioni, “Arte: L'immaginario elettrico di Micol”, Wired, April.

“Le artiste di Italics: un percorso nella creatività femminile. Palazzo Grassi per la Festa della donna”, VDV Mobile Blog, March 8th.

2008

Massimiliano Gioni, “After Nature”, exh. cat., New Museum.

“2008 Biennale of Sidney Catalogue: Revolutions – Forms That Turn”, Biennale of Sydney in association with Thames & Hudson.

“... 5 minutes later exh. cat., KW Institute for Contemporary Art, Berlin.

Lilly Wei, “After Nature”, Art News, October.

Federica Bueti, “Micol Assaël. Edicola Notte, Roma”, Flash Art, August-September.

Ken Johnson, “Sometimes the Darkest Visions Boast the Blackest Humor”, The New York Times, July 19th.

Francesco Stocchi, “Clean Distortions”, Spike, n. 15.

 Massimiliano Gioni, “Micol Assaël”, Art Review, March.

Susanna Legrenzi, “Ci vediamo nel 2038”, IO Donna, January 19th.

2007

Melania Cazzotti, Julia Trolp Mart, “La parola nell’arte”, Rovereto.

“Luce di pietra”, Palazzo Farnese, Rome.

“Silenzio. Una mostra da ascoltare”, curated by F. Bonami, Fondazione Sandretto Re Rebaudengo, Turin.

Ester Coen and Adam Szymczyk “Micol Assaël”, exh. cat., Chizhevsky Lessons, Basel Kunsthalle, Electa, Milan, 2007.

“Schmerz”, exh. cat., Nationalgalerie im Hamburger Bahnhof-Museum für Gegenwart, Berlin, DuMont Literatur und Kunst Verlag GmbH & Co. KG, Köln.

Barbara Buchmaier, “Micol Assaël”, Artforum, november 13th.

Adam Szymczyk, “Micol Assaël. Aspettando l’ignoto”, Flash Art, October-November.

Polly Staple “Risk Assessment”, Frieze, October.

“The Wrong Times”, interview.

Massimiliano Gioni, “Micol Assaël”, Flash Art, August-September.

“Scosse elettriche a Basilea”, Flash Art, June-July.

Etienne Bernard “Invité mystère sur l’ile de Vassivière”, Beauxarts, January.

Paola Manfrin, “Micol Assaël at Kunsthalle Basel”, L’uomo Vogue, May-June.

 Cloe Piccoli, “Tre ingegneri creativi”, D La Repubblica delle donne, April 7th.

Lauretta Colonnelli, “Giochi di luce sulle pietre antiche”, Corriere della sera, march 28th.

Paolo Vagheggi, “Capolavori Europei per i trattati di Roma”, La Repubblica, March 23th.

Rossella Sleiter, “Il giovin signore dell’arte dà speranza all’arte giovane”, Il venerdì- La Repubblica, March 16th.

Adriana Polveroni, “Identità in movimento”, D La Repubblica delle donne, March 10th.

Chris Sharp, “My Private Escaped”, Flash Art, February-March.

Roberta Tentoni, “Introducing Micol Assaël”, Mousse Magazine, January.

Mariuccia Casadio, “Digital New year”, Vogue Italia, January.

2006

“Of mice and men-4th Berlin Biennale”, exh. cat., Berlin.

Massimiliano Gioni, “Milan”, Artforum, December.

Elisa Del Prete, “My Private escaped from Italy”, Arte e critica,December 2006-February 2007

“Micol Assaël & Thomas Bayrle: Machines”, The Wrong Times, October.

“Wolganmisool”, n. 257, June.

“Uomini e topi a Berlino”, Exibart,onpaper, May-June.

“Von Menschen und Mausen”, Kunstforum, May-June.

Carla Bianpoen , “The Berlin Biennale, an antidote to the usual”, The Jakarta Post, May.

“Von Mausen und Menschen”, Kunst21, May.

Pietro Marino, “Biennale Contemporanea”, La gazzetta del Mezzogiorno, April.

Cesare Cunaccia, “Berlino, per gli italiani un tifo da stadio”, Libero, April.

Arianna Di Genova, “Vietato non esserci!”, Marie Claire (Italy), April.

Nicole Büsing, Heiko Klaas, “Stimmungsgeladene Inszenierungen”, Bremer, March.

Claudia, Wahjudi, “Eine irgendwie sehr gefuhlte schau”, Zitty, March.

Ursula Badrutt Schoch, “Raum fur Unbehagen”, Der Bund, March.

Ursula Badrutt Schoch , “Raum fur Unbehagen”, ST. Galler Tagblatt, March.

Nicole Büsing and Heiko Klaas , “Von Mausen, Menschen un bosen Machten”, Nurnberger Nachrichten, March.

Valentina Agostinis, “Biennale di Berlino-dov’è lo scandalo?”, Anna, March.

Paolo Vagheggi, “Tre moschettieri per Berlino”, La Repubblica, March.

Elena Basteri, “L’estro di Cattelan alla Biennale di Berlino”, Liberazione, March.

Paolo Vagheggi, “Maurizio Cattelan:’così scandalizzerò Berlino”, La Repubblica.

Caroline Corbetta, “Of Mice and Men”, Uomo Vogue, March.

“Quarta Berlin Biennale. Cattelan-Subotnick-Gioni portano l’arte in chiesa a scuola e al cimitero”, Exibart.OnPaper, March.

“Berlino-Uomini e topi”, Flash Art Italia, February-March.

2005

”Waiting for the Unknown”, “Fryttir”, Vestmannaeyjar – Iceland, 12 pages

Francesco Bonam, Cesare Cunaccia, Ilaria Bonacossa, “Bidibidobidiboo, Works from Collezione Sandretto Re Rebaudengo”, Skira, Milano.

Jessica Morgan, Björn Roth, “Material Time/Work Time/Life Time”, Jens Hoffmann. Revolver, Frankfurt am Main

Jessica Morgan, “Sempre un pò più lontano”, 51esima Esposizione internazionale d'arte Biennale di Venzia, cat. curated by Maria de Corral e Rosa Martinez, Marsilio ed., Venezia.

ARTCHRONIKA, “Dialectics of hope – 1 st  Moscow Biennale of Contemporary Art 2005”, Moscow.

“Europe as a Cultural Project”, European Cultural Foundation, Amsterdam

Daniela Cascella, “Scultori di suono”, Tuttle Edizioni, April.

Daniela Cascella, “Blind Sound”, Sound Art/Resonance Supplement, June.

Paolo Vagheggi,“Biennale di Venezia - Le donne e l' amore del nuovo millennio”, Repubblica,  june 2005                                                                                                            

Ilaria Bombelli, “Micol Assaël-Alta tensione”, Flash Art Italia, October-November.

“Future greats”, Art Review, December.

Claire Bishop, “Fairer Fare”, Artforum, June 15th.

Natalia Aspesi, “Biennale, sceglietevi la musica per il vostro funerale”, La Repubblica, June 9th

Anna Detheridge, “Pappagalli in Biennale”, Il Sole 24 Ore, June 5th.

“Arsenale di star / attenti a questi cinque”, Gulliver, June.

Nicola Davide Angerame, “La Biennale Gemellare”, Exibartonpaper, June

“Bidibidobidiboo, 200 opere della collezione Sandretto Re Rebaudengo”, supplement of Arte, June.

Maurizio Sciaccaluga, “Biennale di Venezia – Italiani, chi sale e chi scende”, Arte, June

Edward Weinman, “Feast for the Senses”, Atlantica, May/June

Mark Sladen, “Iceland Hopping”, Artforum, May 19th.

Cloe Piccoli, “Biennale 51 – Come in un vulcano”, La Repubblica delle donne, May 21th.

Ekaterina Degot, “City report: Moscow" , Dan Fox and Jennifer Higgie, Frieze, issue 90, April

“Russian Front: The Moscow Biennale”, by John Kelsey, Artforum, April.

“Così le artiste infrangono le regole”, by Valentina Bruschi, Il messaggero, March 21th.

“Una Biennale quasi senza italiani”, by Paolo Vagheggi, La Repubblica, March 8th.

2004

“Files”, MUSAC. Museo de arte contemporáneo de Castilla y León. pag.12.

Francesco Bonami, “non toccare la donna bianca/don’t touch the wite woman”, exh. cat., Hopefulmonster editore, Torino.

Massimiliano Gioni, “this wild darkness”, WITH ALL DUE INTENT – MANIFESTA 5, exh. cat., Actar, Barcellona.

Francesco Bonami, “Nella vigna del disegno + interview with Ilaria Bonacossa”, D-segni, exh. cat., Fondazione Sandretto Re Rebaudengo, Torino.

Filippo Romeo, “Non Toccare La Donna Bianca”, ArtforumNovember 11th.

Gabi Scardi, “Infrazioni al femminile dell’ordine prestabilito”, jun0, October 17th.

Ludovico Pratesi, “Tremate, tremate, le artiste son tornate”, Il venerdì di Repubblica, September

Anne Colin, “Manifesta 5”, Artpressn.304 September.

Flavia Matitti, “E io ricomincio da me”, L’unità, August 28th.

Tim Sommer, “BALKAN AM ATLANTIK”, Art-Das Kunstmagazine, August 8th

Studio-Israeli art magazine, july-august.

Thomas Wullfen, “Manifesta 5”, Kunstforum International, July-August

Ursula Badrutt Schoch, “Manifesta 5 Unmögliche wahrheit”, Der Bund, July 30th.

Ismael Manterola Ispizua, “Pasaia versus Donostia”, Berria, July 13th.

Laura Revuelta, “Manifesta 5, la Biennale Europea approda in Spagna”, Mood, June 24th.

“El manifesto de la Manifesta 5”, Blanco y negro cultural, June 19th.

Angela Molina, “Manifesta 5: una bienal sin ADN”, Babelia El Pais, June 19th.

Gregor Jansen, “Architectur der Grenze”, Die Tage, July 14th.

Jelka Sutej Adamič, “San Sebastian – Manifesta 5”, Nič več radikalnosti Delo, June 14th.

“Biennale nomade d’Europa”, D-REPUBBLICA, June 12th.

Teresa Flano, “San Sebastian se empapa de arte”, Cultura & Ocio, June 11th..

“Arte garaikidearen unibertso zabalean murgiltzeko deia”, by Juan Luis Zabala, Harian, June 11th

M. Marin, “Comienza en San Sebastian Manifesta 5, una radiografia de la vanguardia artistica”, EL PAIS, June 11th.

Dani Blanco, “Donostia eta Pasaia arteak inbadituta”, Argia, June.

“Micol Assael – Bonomo”, by Antonella Marino, Flash Art Italia, n° 245 April-May.

Andrea Villani, “Micol Assaël”, Boiler #4, March.

Maria Rosa Sossai, “Great Expectations”, Flash Art Italia, February-March.

“Gli “interventi” di Micol”, by L.P., La Stampa, February 13th.

Pietro Marino, “Micol, la piccola macchinista dell’arte”, La gazzetta del mezzogiorno, February 12.

Marilena Di Tursi, “Se l’opera d’arte è una cella frigorifera”, Corriere del mezzogiorno, February 12.

Antonella Marino, “Fumo e ghiaccio, l’arte estrema di Assaël”, La Repubblica, February 8th.

“Carolyn Christov-Bakargiev on Micol Assaël”, First Take, Artforum, January Issue.
 

2003

”Je veux”, Onestar Press 2003, pag.179. Paris, January.

C. Laubard, C. Parisi, A. Rabottini, M. Smarrelli, “Great Expetations!”, Fuoriuso 2003, XIV .edizione. Pescara Ferrotel, Italy.

Massimiliano Gioni, La Zona, in: “SOGNI E CONFLITTI – LA DITTATURA DELLO SPETTATORE” Francesco Bonami and Maria Luisa

Frisa, 50esima. ESPOSIZIONE INTERNAZIONALE D’ARTE LA BIENNALE DI VENEZIA, Marsilio ed. Venezia

G.K. Batchelor, The Theory of Homogeneous Turbulence, indicated by Lukas Liechtenstein, in: La Folie de la Villa Médicis, cat. curated by

Chiara Parisi, Silvana Editoriale, Milano.

Francesco Bonami, “Occhio alla Biennale. Una scultura fatta di angoscia”, La Stampa, August 20th.

AA.VV., L’arte è il nervo scoperto della società? Conversazioni dalla biennale”, Perché/?, # 4.

Bartolomeo Pietromarchi, “L’Urgenza dello spazio. Sopravvivenza, immaginazione, disorientamento”, Flash Art, June/July

Gabi Scardi, “I giovanissimi sono più urbani”, Il Sole 24ore, June 15th.

Ester Coen, “Gli ultimi frammenti di una civiltà, quel che vedrebbe un extraterrestre”, La Repubblica, June 13th.

Larissa Harris, “Venice Biennale 2003, a marathon vernissage in venice”, Art Forum Diary, June 12th.

Bartolomeo Cosulich, “Biennale 2003 made in italy”, Gulliver, June.

Jennifer Allen, “Bonami on the Biennale, Artists in Uniform, and More Bonami expands on Biennale”, Artforum, March 31th.

Paolo Vagheggi, “Biennale di Venezia ai tempi di guerra”, La Repubblica, March 24th.

”Mental Location, SUB REAL- Reality Survival Strategies”, Smart, April 5 - May 11th.

Daniela Bigi, “Assael, Caretto, Courbot, Davila. Zero, Piacenza”, Arte Critica, January/March.
 

2002

Francesco Bonami, “EXIT Nuove geografie della creatività italiana”, exh. cat., Piccola biblioteca Oscar Mondadori, Milano.

Stefano Chiodi e Bartolomeo Pietromarchi, Prototipi. Laboratorio di cultura artistica contemporanea, Luca Sossella Editore.

Angela Vettese , “Italian Caravanserraglio”, Il Sole 24ore, September 22th.

Elisa Fulco, “SiracusaFullContact”, Flash Art Italian° 235.

Paola Nicita, “FullContact, Siracusa”, Galleria Civica Montevergini, Exibart, July 11th.

Marcello Smarrelli, “FullContact”, Tema Celeste, May/June.

Marcello Smarrelli, “Prototipi.01”, Tema Celeste, March/April.

Ludovico Pratesi, “Niente tele e pennelli ecco le opere 'prototipi’”, La Repubblica, February.

Ludovico Pratesi, “Arte & Tecnologia”, La Repubblica, February 3th.

Paola Magni, “In vetrina i "prototipi" delle nuove generazioni”, Il giornale, January 24th.

Edoardo Sassi, “Sconfinamenti d'arte”, Il corriere della sera, January 24th.